Linda Nemec Foster and Anne-Marie Oomen are interviewed by Cynthia Canty for Michigan Public Radio’s Stateside program. They discuss the creative process involved with writing their book, The Lake Michigan Mermaid.
This interview was broadcasted on May 21st, 2018 and aired on the following radio channels: 91.7 FM Ann Arbor/Detroit, 104.1 FM West Michigan, 91.1 FM Flint.
Michigan Public Radio is a NPR affiliate.
It must have been her accent
that seduced and baffled my ears.
The Egyptian woman, still lost
in the desert air of Cairo,
read her poems filled with water
from the Nile and blue heaven,
blue heaven, blue heaven flying
over the lotus flowers. I heard
“heaven” but later discovered
she said “heron.” A distant cousin
to the sacred ibis, herons (even blue ones)
are commonplace–are everywhere–even
in the non-exotic marshes of northern Ohio
where another blue creation–my mother–
landed. Blue Helen, blue Helen, blue Helen.
The kids in Cleveland would tease her.
Her blue eyes swimming in the immigrant’s
version of hide and seek, lost and found,
a lexicon of strange words that trip her tongue:
A paradise where she flies, dusts clouds,
and polishes haloes. Washing the blue
of heaven until it shines like a word
that has yet to be invented.
Season 14, Episode 3 features Linda Nemec Foster, founder of the Aquinas College Contemporary Writers Series. Linda discusses this year’s Series and the upcoming 20th anniversary celebration. To learn more, visit aquinas.edu/cw.
Bulgarian photography and Michigan poetry inspire an album
“Cry of Freedom” is an album by Ann Arbor musician Laszlo Slomovits, but it’s not your ordinary record.
The album is actually a collection of poems by Grand Rapids poet and writer Linda Nemec Foster that has been set to music.
Foster’s poetry that is featured on “Cry of Freedom” is from her book Ten Songs from Bulgaria. The poetry is inspired by photographs taken by Jacko Vassilev.
Linda Nemec Foster and Laszlo Slomovitz will perform excerpts from the work at 7 pm tonight at Nicola’s Bookstore in Ann Arbor.
On Monday, April 2, another first for Grand Rapids occurs when Grand Rapids Community College (GRCC) hosts The Grand Rapids Poets’ Conference: A Celebration of Grand Rapids Poetry. The four-day event is set with panel discussions, seminars and learning sessions at 108 Sneden Hall during the day, and evening readings on the second floor of the GRCC library. All events are free to the public.
This will mark the first time an exclusively Grand Rapids-based identity is focused on the oldest of the arts. It features poets from GRCC, Grand Valley State University, Aquinas College, Calvin College, all previous poet laureates (Linda Nemec Foster, Patricia Clark, Rodney Torreson), and “poets published extensively beyond academe, activist poets and those who have developed quietly over decades of work.”
“This is what is unique about this conference: it is historic in the best sense, because it begins a process that later generations can build on,” says program director, GRCC professor and Grand Rapids Poet Laureate David Cope. As laureate, Cope was determined to assemble an anthology of Grand Rapids poetry (Song of the Owashtanong: Grand Rapids Poetry in the 21st Century), and then to assemble a conference of local poets. “To bring us all together, old and young, people from across the scene, to hear all these voices and begin the dialog that not only expands our awareness of what we are, but gives us connections to help each other,” Cope explains.
This isn’t the first time Cope has established a hefty poetry program; Cope has acted as program director for GRCC’s Pablo Neruda Conference and Women in the Arts Conference, in addition to helping design the 1990 Ecology and Poetics Conference and the Beats and Rebel Angels Conference at Naropa University. The Grand Rapids Poets’ Conference is based upon the National Poetry Festivals at GVSU in the ‘70s, Naropa University conferences, and Allen Ginsberg’s Brooklyn college reading series among others.
The conference begins on Monday, April 2, with an opening speech addressing poetry in our time, followed by a panel on poetic community with Patricia Clark, Barbara Saunier, Kim Wyngarden and G. F. Korreck. The conference concludes on Thursday, April 5, with an open mic reading in the morning, a performance by Linda Nemec Foster with musical accompaniment, a session on working with publishers and readings featuring L. S. Klatt and Miriam Pederson.
Other panels and sessions throughout the week include spotlights on local publishing with Alban Fisher of TRNSFR literary magazine and Presa Press’ Eric Greinke, utilizing professional websites and an exploration of former laureate Rodney Torreson’s Thru the 3rd Eye. A reading series panel “as seen through two major college series, two local reading series and our local radio series” includes members of Smokin’ Spoken Word, Literary Life Bookstore and WYCE Electric Poetry. “Teaching Poetry: Pedagogy and Diversity” explores the methodology and issues in teaching poetry, student growth and how diversity affects tradition.
“The daily panels will be useful as informational sessions and to see the ways in which the poets work together, but the highlights are always to be found in the evening readings,” explains Cope. Azizi Jasper, David Landrum and Mursalata Muhammad are among several of the poets featured during the evening readings. However, there are several open mic opportunities throughout the week for all poets to read their works publicly.
Cope also mentions “younger poets can make connections with those who have ‘been there,’ and this can be useful for finding their way in their own careers.” Certainly true, as Cope made such a connection with Allen Ginsberg at a similar conference; Ginsberg would later help propel him into the national poetry community.
The conference would not be possible without the support of the Michigan Council for Arts and Cultural Affairs, in-kind funding from GRCC and guidance provided by Dr. Caroline Older and Angela de Luca Placencia from the Arts Council of Greater Grand Rapids. A wide variety of individuals also helped define the conference’s aim, ranging from Cope’s laureate committee and many of the featured poets.
“My idea was to lay a foundation — the conference and the anthology — that would make it possible to develop a canon of River City poems, Owashtanong poems, poems that start here and connect us with the world,” says Cope. “Others will have to pick up and make the second part happen in years to come.”
For a comprehensive guide to the conference, including an extended schedule, poet bios, parking information and other useful links, click here.
“History of the Toenails“
“History of the Hand“
Movie Poems: “Absurdity of the Sweet Life,” “At 69,” “My Mother Sees Her First Foreign Film“
“The Therapeutist: After Magritte“
“The Rain in Bielsko,” and “Mazovian Willows: Chopin’s Nocturn, Opus 9“
“The Awkward Young Girl Approaching You“
“In My Grandmother’s House“
“After the War: Purple Flowers Spilling from the Windows,” and “Mengele’s Butterflies“
Linda Nemec Foster’s poetry has been translated, produced for the stage, and exhibited in art galleries in Michigan and New York. Her work has been widely published in national literary journals, including The Georgia Review, Mid-America Review, Quarterly West, Indiana Review, Nimrod, and River Styx, and in major anthologies from Penguin, Virago, Macmillan and other publishers. Foster’s full-length collection of poetry, Living in the Fire Nest, was a finalist for the Bluestem Poetry Award and the Nicholas Roerich Poetry Prize.
Foster received her MFA in creative writing from Goddard College in Vermont, and currently lives in Grand Rapids. She served as director of the literature program for the Urban Institute for Contemporary Arts and teaches poetry workshops for young people through Creative Writers in Schools, a project of ArtServe Michigan.