Linda Nemec Foster’s profile on the Poets & Writers’ Directory website


Author’s Bio

Linda Nemec Foster is the author of eleven collections of poetry including Amber Necklace from Gdansk (LSU Press), Talking Diamonds (New Issues Press), and The Lake Michigan Mermaid (Wayne State University Press). Her work has been published in numerous magazines and journals such as The Georgia Review, Nimrod, Quarterly West, Witness, New American Writing, North American Review, and Paterson Literary Review. Foster’s poems have also appeared in anthologies from the U.S. and Great Britain, been translated in Poland and Germany, inspired original music compositions, and have been produced for the stage. She has received nominations for the Pushcart Prize and has been honored by the Arts Foundation of Michigan, ArtServe Michigan, the National Writer’s Voice, and the Academy of American Poets. From 2003-05, she served as the first Poet Laureate of Grand Rapids, Michigan. In 2015, she was honored by the Dyer-Ives Foundation for her poetry and advocacy of the literary arts in west Michigan. Foster is the founder of the Contemporary Writers Series at Aquinas College.

Publications and Prizes

Books: Amber Necklace From Gdansk (Louisiana State University Press, 2001), Listen to the Landscape (Eerdmans Publishing, 2006), Living in the Fire Nest (Ridgeway Press, 1996), Talking Diamonds (New Issues Press, 2009), The Lake Michigan Mermaid (Wayne State University Press, 2018)

Anthologies: Abandon Automobile: Detroit City Poetry (Wayne State University Press, 2001), Amazing Women of West Michigan (Eerdmans Publishing, 2006), Contemporary Michigan Poetry (Wayne State University Press, 1988), Fast Break to Line Break: Poets on the Art of Basketball (Michigan State University Press, 2012), Fresh Water: Women Writing on the Great Lakes (Michigan State University Press, 2006), Modern Poems of Ohio (University of Akron Press, 2002), New Poems From the Third Coast (Wayne State University Press, 2000), Poetry in Michigan/Michigan in Poetry (New Issues Press, 2013), Song of the Owashtanong: Grand Rapids Poetry in the 21st Century (Ridgeway Press, 2013), The Art of Survival (Kings Estate Press, 2014), The Heart of All That Is: Reflections on Home (Holy Cow! Press, 2013)

Journals: America, Another Chicago Magazine, Apalachee Review, Artful Dodge, Atlanta Review, Big Scream, Cheap Pop, Connecticut Review, Connecticut River Review, Driftwood Review, Duende, Earth’s Daughters, Eclipse, Ekphrasis, Fogged Clarity, Free Lunch, Georgia Review, I-70 Review, inch, Indiana Review, KYSO Flash, Mid-American Review, New American Writing, New Millennium Writings, Nimrod, North American Review, Passages North, Poet Lore, PRESA, Quarterly West, River Styx, Sou’wester, Streetlight Magazine, The Cresset, The Fox Chase Review, The MacGuffin, Two Review, Windhover, Witness

Chapbook: A History of the Body (Coffee House Press, 1987), A Modern Fairy Tale: The Baba Yaga Poems (Ridgeway Press, 1992), Contemplating the Heavens (Ridgeway Press, 2001), Ten Songs from Bulgaria (Cervena Barva Press, 2008), The Elusive Heroine: My Daughter Lost in Magritte (Cervena Barva Press, 2018), Trying to Balance the Heart (Sun Dog Press, 1993)

Prizes Won: Finalist, New Millennium Writings Poetry Prize (2016); Lifetime Achievement Award in Poetry, Dyer-Ives Foundation (2015); Pushcart Prize Nominations (1982-2013); First runner-up, New Letters Poetry Award (2013); Runner-up, I-70 Review’s Gary Gildner Poetry Award (2013); Honorable Mention, New Millennium Writings Poetry Prize (2013); Finalist, ForeWord Magazine’s Book of the Year Award (2010); Finalist, New Letters Poetry Award (2010); Creative Arts Award, Polish American Historical Association (2008); Finalist, Michigan Governor’s Arts Award (2007); Selected to be first Poet Laureate of Grand Rapids, Michigan (2003-2005); Finalist, Ohio Book Award for Poetry (2003); Nominee, Laughlin Award (2002); Creative Artist Grant, ArtServe Michigan (2001); Fellowship, National Writers’ Voice (1999); Finalist, Poet’s Prize (1997); Creative Artist Grant, Arts Foundation of Michigan (1996); Creative Artist Grants for Poetry, Michigan Council for the Arts (1984, 1990).


A Local First: Grand Rapids Poets’ Conference

On Monday, April 2, another first for Grand Rapids occurs when Grand Rapids Community College (GRCC) hosts The Grand Rapids Poets’ Conference: A Celebration of Grand Rapids Poetry. The four-day event is set with panel discussions, seminars and learning sessions at 108 Sneden Hall during the day, and evening readings on the second floor of the GRCC library. All events are free to the public.

This will mark the first time an exclusively Grand Rapids-based identity is focused on the oldest of the arts. It features poets from GRCC, Grand Valley State University, Aquinas College, Calvin College, all previous poet laureates (Linda Nemec Foster, Patricia Clark, Rodney Torreson), and “poets published extensively beyond academe, activist poets and those who have developed quietly over decades of work.”

“This is what is unique about this conference: it is historic in the best sense, because it begins a process that later generations can build on,” says program director, GRCC professor and Grand Rapids Poet Laureate David Cope. As laureate, Cope was determined to assemble an anthology of Grand Rapids poetry (Song of the Owashtanong: Grand Rapids Poetry in the 21st Century), and then to assemble a conference of local poets. “To bring us all together, old and young, people from across the scene, to hear all these voices and begin the dialog that not only expands our awareness of what we are, but gives us connections to help each other,” Cope explains.

This isn’t the first time Cope has established a hefty poetry program; Cope has acted as program director for GRCC’s Pablo Neruda Conference and Women in the Arts Conference, in addition to helping design the 1990 Ecology and Poetics Conference and the Beats and Rebel Angels Conference at Naropa University. The Grand Rapids Poets’ Conference is based upon the National Poetry Festivals at GVSU in the ‘70s, Naropa University conferences, and Allen Ginsberg’s Brooklyn college reading series among others.

The conference begins on Monday, April 2, with an opening speech addressing poetry in our time, followed by a panel on poetic community with Patricia Clark, Barbara Saunier, Kim Wyngarden and G. F. Korreck. The conference concludes on Thursday, April 5, with an open mic reading in the morning, a performance by Linda Nemec Foster with musical accompaniment, a session on working with publishers and readings featuring L. S. Klatt and Miriam Pederson.

Other panels and sessions throughout the week include spotlights on local publishing with Alban Fisher of TRNSFR literary magazine and Presa Press’ Eric Greinke, utilizing professional websites and an exploration of former laureate Rodney Torreson’s Thru the 3rd Eye. A reading series panel “as seen through two major college series, two local reading series and our local radio series” includes members of Smokin’ Spoken Word, Literary Life Bookstore and WYCE Electric Poetry. “Teaching Poetry: Pedagogy and Diversity” explores the methodology and issues in teaching poetry, student growth and how diversity affects tradition.

“The daily panels will be useful as informational sessions and to see the ways in which the poets work together, but the highlights are always to be found in the evening readings,” explains Cope. Azizi Jasper, David Landrum and Mursalata Muhammad are among several of the poets featured during the evening readings. However, there are several open mic opportunities throughout the week for all poets to read their works publicly.

Cope also mentions “younger poets can make connections with those who have ‘been there,’ and this can be useful for finding their way in their own careers.” Certainly true, as Cope made such a connection with Allen Ginsberg at a similar conference; Ginsberg would later help propel him into the national poetry community.

The conference would not be possible without the support of the Michigan Council for Arts and Cultural Affairs, in-kind funding from GRCC and guidance provided by Dr. Caroline Older and Angela de Luca Placencia from the Arts Council of Greater Grand Rapids. A wide variety of individuals also helped define the conference’s aim, ranging from Cope’s laureate committee and many of the featured poets.

“My idea was to lay a foundation — the conference and the anthology — that would make it possible to develop a canon of River City poems, Owashtanong poems, poems that start here and connect us with the world,” says Cope. “Others will have to pick up and make the second part happen in years to come.”

For a comprehensive guide to the conference, including an extended schedule, poet bios, parking information and other useful links, click here.

Originally Published by Rapid Growth, click here to view article.